The coins realized $2,415,000 for the New York Style EB Punch on Wing NGC AU55, $2,990,000 for the unique New York Style EB Punch on Breast NGC XF45 and $690,000 for the rare but less iconic Lima Style Doubloon. On JanuHeritage Auction Galleries sold all three varieties of Brasher Doubloons as part of their Florida United Numismatists U.S. One of the surviving gold coins, weighing 26.6 grams and composed of 0.917 (22- carat) gold, was sold at a public auction for $625,000 in March 1981. Spanish America did the same as explained in es:doblón. This was disambiguated in references by calling the $4 the common doubloon or simply doubloon, and the $16 coin the doubloon of eight (escudos). This coin, valued at eight Spanish escudos or sixteen Spanish dollars ($16), is of confusing English colonial nomenclature, called at first the "double doubloon" before settling as the "Spanish doubloon". Brasher struck various coppers, in addition to a small quantity of gold coins, over the next few years. Brasher was already quite highly regarded for his skills, and his hallmark (which he not only stamped on his own coins but also on other coinage sent to him for assay proofing) was highly appreciated by the United States. The petition was denied when New York decided not to get into the business of minting copper coinage. In 1787, Ephraim Brasher, a goldsmith and silversmith, submitted a petition to the State of New York to mint copper coins. I used strips of old jeans for one, too, so you can use anything that you want to make the rug.The Brasher Doubloon is a rare American doubloon of eight escudos worth sixteen dollars, privately minted in and after 1787. I just hang it on the wall-a reminder to finish.someday, and also, well, ART!! I hope that you have fun with this. I have five or six frames, and one has a shag rug in progress. I used the cone of cotton string my mother got online somewhere, but I have also used the cotton crochet thread (also on a cone) from Wal-Mart. It can be frustrating putting the string on, too, but just keep your cool and keep saying to yourself "well, I am learning, so it doesn't have to be perfect the first time"-then it actually turns out BETTER than you thought. I put the nails just about the middle of the wood ofr the frame at 1/2" intervals, so I used 96 for this one. The inside (hole) of the frame is 24" by 48". I got this frame from a garage sale-I've also gotten them from the local thrift store. By lost, I mean using the frames for looms. Ok, first, thank you for faving my rug, and second, I am glad that you are interested in making these rugs-it seems to be a lost art. This site has alot of information on weaving, I just like the versatility of the frame loom-the sizes are endless, and sometimes cheaper if gotten at garage sales or thrift stores! If you make two sets of them and put them on the same strings but one set on top, and one set on bottom, it will be easier. The link below is for the string heddles that I used. It took MANY hours to finish, but was worth every second. I started by weaving the srting over and under itself for a few inches, then used the strips of material and wove them in and out of the string, pounding or tamping them down with a piece of wood that I had. Then I had found some neat material, ripped it into 2-3 inch wide strips. I just hammered some nails about a half an inch apart on the top and the bottom ands of the frame, strung the strong string back and forth. The third picture shows the kind of aparatus that I used with my frame to weave my rugs. This is my first project posting, so I am sorry if I make mistakes. I found a book on weaving and found a large picture frame, some nails, some string, material, a couple of big dowels, and made this rug.
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